Wednesday, 31 December 2008

72 More Views of the Tower of Babel

I have decided that my most popular blog post, 72 Views of the Tower of Babel, has far outgrown itself (well over a hundred and twenty images at last count), and in order to make the views of the Tower of Babel easier for me to manage, as well as hopefully more accessible to visitors, I am restricting the original page to medieval views, and putting post-medieval views on this page, and starting a new page for modern views.

I have also increased the size of the link images from thumbnail size to a maximum dimension of 360 pixels, which I think is a great improvement.





Paintings


Image Description

Oil painting by Pieter Bruegel (1525–1569)

Kunsthistorisches Museum, Vienna, Austria

1563

Oil painting by Pieter Bruegel (1525–1569)

Museum Boijmans Van Beuningen, Rotterdam, Netherlands

circa 1563

Oil painting by Hendrick van Cleve (1525–1589)


Oil painting by Hendrick van Cleve (1525–1589)

J.A. Berg Collection, Stockholm University Art Collection, Stockholm, Sweden


Oil painting by Hendrick van Cleve (1525–1589)


Oil painting by Hendrick van Cleve (1525–1589)

Hamburger Kunsthalle, Hamburg, Germany


Oil painting by Hendrick van Cleve (1525–1589)

Galerie de Jonckheere, Paris, France


Oil painting by Hendrick van Cleve (1525–1589)


Oil painting by Hendrick van Cleve (1525–1589)


Oil painting by Hendrick van Cleve (1525–1589)


Oil painting by Hendrick van Cleve (1525–1589)


Oil painting by Hendrick van Cleve (1525–1589)


Oil painting by Hendrick van Cleve (1525–1589)


Oil painting by Hendrick van Cleve (1525–1589)


Oil painting by Hendrick van Cleve (1525–1589)


Oil painting by Hendrick van Cleve (1525–1589) and Louis de Caullery (c.1555-c.1622)


Oil painting by Louis de Caullery (c.1555-c.1622)


Oil painting by Hans Bol (1534–1593)

Museum voor Oudheidkunde en Sierkunst en Schone Kunsten, Kortrijk, Belgium


Illustration on a vase with Biblical Scenes, from the workshop of Orazio Fontana (fl.1565–1571) in Urbino, Italy

Philadelphia Museum of Art (Gallery 250), Philadelphia, U.S.A.

circa 1560–1571

Oil painting attributed to the circle of Maerten van Heemskerck (1498–1574)

Fortabat Art Collection, Buenos Aires, Argentina


Oil painting by Maerten van Heemskerck (1498–1574)

1572

Oil painting by Lucas van Valckenborch (1535–1597)

Galerie de Jonckheere, Paris, France

1568

Oil painting by Lucas van Valckenborch (1535–1597)

The Louvre, Paris, France

1594

Oil painting by Lucas van Valckenborch (1535–1597)

Mittelrhein-Museum, Koblenz, Germany

1595

Oil painting by Lucas van Valckenborch (1535–1597)

Alte Pinakothek, Munich, Germany


Oil painting by Lucas van Valckenborch (1535–1597)

Landesmuseum, Mainz, Germany

1595

Oil painting by Marten van Valckenborch (1535–1612)

National Museum of Fine Arts, Havana, Cuba


Oil painting by Marten van Valckenborch (1535–1612)


Oil painting by Marten van Valckenborch (1535–1612)

Towneley Hall, Burnley, England

circa 1600

Oil painting by Marten van Valckenborch (1535–1612)

Gemäldegalerie Alte Meister Staatliche Kunstsammlungen, Dresden, Germany

[Dresden Gallery in Second Life]

1595

Oil painting by Marten van Valckenborch (1535–1612)


Oil painting by Marten van Valckenborch (1535–1612) or Peter Balten (1525–1598)

circa 1575

Oil painting by Marten van Valkenborch (1535–1612)


Oil painting by Marten van Valkenborch (1535–1612) [on the back of a copperplate map]

Museum of London, London, England

1559

Oil painting by Frederik van Valckenborch (1566–1623)

Kunsthistorisches Museum, Vienna, Austria


Oil painting by Leandro Bassano (1557–1622)

National Gallery, London, England

after 1600

Oil painting by Tobias Verhaecht (1561–1631)


Oil painting by Tobias Verhaecht (1561–1631)

Norwich Castle Museum & Art Gallery, Norwich, England


Oil painting by Tobias Verhaecht (1561–1631)

Koninklijk Museum voor Schone Kunsten, Antwerp, Netherlands


Oil painting by Joos de Momper (1564–1635) and Jan Brueghel the Younger (1601–1678)


Oil painting by Joos de Momper (1564–1635) and Frans Francken the Younger (1581–1642)

Musées Royaux des Beaux-Arts de Belgique, Brussels, Belgium


Oil painting by Pieter Brueghel the Younger (c.1564–1638)

Pinacoteca Nazionale, Siena, Italy


Oil painting by Abel Grimmer (1570–1619)


Oil painting by Abel Grimmer (1570–1619)


Oil painting by Abel Grimmer (1570–1619)

circa 1604

Oil painting by Abel Grimmer (1570–1619)


Oil painting by Abel Grimmer (1570–1619)

Private Collection

1604

Oil painting by Abel Grimmer (1570–1619)

Galerie de Jonckheere, Paris, France


Oil painting by Frans Francken the Younger (1581–1642)

Museo Nacional del Prado, Madrid, Spain


Oil painting by Frans Francken the Younger (1581–1642)


Oil painting by Frans Francken the Younger (1581–1642)

Hospital de Tavera, Toledo, Spain


Oil painting by "Monsù Desiderio", i.e. Didier Barra (1590–1644) or François de Nomé (1593–1630) or a third unknown artist

Naples, Italy


Oil painting by an unknown artist

Germanisches Nationalmuseum, Nuremberg, Germany

circa 1590

Oil painting by an unknown artist

Pinacoteca nazionale [N 534], Sienne, Italy

Late 16th century

Oil painting by Anton Mozart (1573–1625)

Staatliche Museen [Kupferstichkabinett, KD Z17904], Berlin, Germany

circa 1610

Oil painting by Jean Joubert (fl.1676–1706)

The Louvre [INV 27257], Paris, France


Oil painting by an unknown artist

17th century

Part of a fresco by Mattia Bortoloni (1696–1750) at the Villa Cornaro, near Venice, Italy

1716

Tin-glazed earthenware (maiolica) by Francesco Antonio Saverio Grue (1686–1746)

Museum of Fine Art, Boston, U.S.A.

circa 1735

Fresco by (?) Johann Baptist Baader (1717–1780) on the ceiling of the Pfarrkirche St. Johann Baptist, Wessobrunn, Germany

Non surrexit major ("It rose no further")

1759 (?)




Engravings and Prints


Image Description

Engraving by Cornelis Anthonisz (circa. 1505–1553)

Bibliothèque royale de Belgique Brussels Belgium

1547

Woodcut illustration by Abraham Saur (1545–1593?) to his Theatrum Urbium

Munich, 1610

Engraving by Daniel Meisner, in Thesauras Philo. Politicus....Schatzkastlein page F68

1623 (also in Sciographica Cosmica (1642))

Hand-coloured copper engraving by Matthäus Merian (1593–1650) in the Merian Bible

Stuttgart, 1630
















Turris Babel (sive Archontologia qua primo priscorum post diluvium hominum vita, mores rerumque gestarum magnitudo, secundo Turris fabrica civitatumque extructio, confusio linguarum ...) by Athanasius Kircher (1602–1680). Frontispiece drawn by Gérard de Lairesse (1640–1711) and engraved by Johannes Munniks (1652–1711). Other plates engraved by engraved by Coenraet Decker (1651–1685).

*OCM+ 93-6948, New York Public Library, New York, U.S.A.

1. Turris Babel

2. Turris Babel

3. Coelum Lunae, or Data hypothesi quantum globus terrenus extra centrum emotus fuisset

4. Erat autem Ninive Civitas

5. Descriptio Turris Babylonicœ a Nino et Semiramide exstructa

6. Hæc ruet eversis nun qua Babilonia Muris, Stans memori quantum steterit Kircherius Orbi

7. Arx Babylonica à Semiramide, exstructa

Amsterdam, 1679

Copper engraving by C.J. Visscher for Theatrum Biblicum Hoc est historiae Sacrae published by his son, Nicolaum Johannis Piscatorum (N. Visscher)

Amsterdam (?), 1674

La géographie sacrée, et les monuments de l'histoire sainte by Joseph-Romain Joly (1715–1805).

New York Public Library, New York, U.S.A.

*YIX (Joly, J. R. Géographie sacrée) [opposite page 4]

Paris (?), 1784





Copper engravings by Allain Manesson Mallet (1630–1706)

Figs. XCVIII and CI

Paris, 1683 (reprinted Frankfurt, 1719)

Engraving by Johann Bernhard Fischer von Erlach (1656–1723) in Entwurff Einer Historischen Architectur

Vienne, 1721

Copper engraving by Gerard Hoet in Figures de la Bible

Page 12

The Hague, 1728

Copper engraving by L. A. Corvinus in J.J. Scheuchzer's Sacred Physics

1735

Engraving by O. Lindeman of a "'Map of the World Known to the Ancient'" by Willem Albert Bachiene (1712–1783)

Utrecht, 1761

Mezzotint with etching by John Martin (1789–1854)

The British Museum [PD Mm.10-6], London, England

circa 1833

Engraving by C. Maurino of a drawing by Gustave Doré (1832–1883)

1865–1866




See also :



2 comments:

Associazione Studenti Mendrisio Architettura said...

hi. I'm doing a research on the subject of the tower of babel as a genre in landscape representation. I was wondering how did you come with all those images. Did you use any publication? What method did you use to collect them?

Andrew West said...

I did not use any publications, just spent many many hours searching the internet and browsing through museum and library websites.

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